If Munich was a whisper, Wuppertal was a shout.
The second chapter of In Motion landed in North Rhine-Westphalia with radical visual force. Working once again with Marcus Schaefer, Pantheon Art took over the Visiodrom tower – a cavernous cylindrical space built for immersive experiences. Here, Paris’s works were projected on a monumental scale, rippling across the tower’s walls in vivid, pulsating movement.
It was a spectacle. But it was also a statement: about the power of rhythm, about a new generation of artist, and about Pantheon’s ambition to build unforgettable art moments that don’t fit the traditional mould.
Local press coverage praised the show’s scale and emotional punch. Interviews with German-language outlets positioned Paris as a serious, intuitive talent; one whose work captures the noise, colour, and complexity of contemporary life.
The In Motion concept – curated and produced by Pantheon Art and Marcus Schaefer – hinges on rhythm as a connective tissue. Each painting begins with sound. Each brushstroke is shaped by instinct. In Wuppertal, we let that instinct run wild.
As Pantheon continues to shape Paris Brosnan’s emergence onto the global stage, In Motion will evolve. The plan: take the show international. Next stops: Asia, the US, and beyond.
Because movement never stops. And neither do we.